Thoughts about writing fiction
Jul. 12th, 2020 04:27 pmAny actual professional novelists reading this can ignore these doubtless obvious and jejeune thoughts....
I am currently writing what looks like a novel-length Star Wars Sequel Trilogy fic (up to over 118000 words so far, which looks quite novel-like in length). Totally by accident, it just snowballed, as serial fictions apparently tend to. I now better understand how the 160-episode Hong Kong TV serials of my youth could happen.
But in the course of writing it I have realised, to a much more explicit degree than in my previous shorter fics, how:
(a) Character and context drive action, and action reveals both character and context, and context significantly determines action and character.
(b) If you put enough details into the narrative in the early chapters, there will always be something that you can use or expand upon later on, whether for plot, characterisation, conceptual clarity, running jokes, atmosphere or just additional background detail to add verisimilitude to an otherwise bald and unconvincing narrative. Not so much Chekhov's Gun as the assorted items in Chekhov's Cabinet of Curiosities.
(c) I really prefer the omniscient viewpoint, with occasional brief forays into loose third-person as necessary. It makes writing comedy much easier too.
I am currently writing what looks like a novel-length Star Wars Sequel Trilogy fic (up to over 118000 words so far, which looks quite novel-like in length). Totally by accident, it just snowballed, as serial fictions apparently tend to. I now better understand how the 160-episode Hong Kong TV serials of my youth could happen.
But in the course of writing it I have realised, to a much more explicit degree than in my previous shorter fics, how:
(a) Character and context drive action, and action reveals both character and context, and context significantly determines action and character.
(b) If you put enough details into the narrative in the early chapters, there will always be something that you can use or expand upon later on, whether for plot, characterisation, conceptual clarity, running jokes, atmosphere or just additional background detail to add verisimilitude to an otherwise bald and unconvincing narrative. Not so much Chekhov's Gun as the assorted items in Chekhov's Cabinet of Curiosities.
(c) I really prefer the omniscient viewpoint, with occasional brief forays into loose third-person as necessary. It makes writing comedy much easier too.